We’re looking at Jamie Babbit’s But I’m A Cheerleader. Released in 1999, the film stars Natasha Lyonne as Megan, the titular cheerleader who seems to have some very “unnatural urges” according to her parents, teachers, and friends. She’s sent to a camp where she gets re-educated in the ways of heterosexuality.
Episode 419: Minority Report (2002)
We conclude our back to back discussions of Philip K Dick adaptations with a look at 2002’s Minority Report. Directed by Steven Spielberg, the film was originally set as a sequel to Total Recall (1990). It’s the story the chief of pre-crime (Tom Cruise) — a unit of the police that uses psychics to arrest people before they commit the crimes they are predicted to do. When he’s fingered for an impending murder of a man he doesn’t even know, things get complicated.
Tim and Corinne Luz of the Cinemaspection podcast join Mike to discuss the film. Screenwriter Scott Frank talks about his work on the film as well as his work on The Wolverine, Logan, The Lookout, Hoke, and more.
Episode 418: Total Recall (1990)
We’re kicking off back to back discussions of Philip K Dick adaptations with a look at 1990’s Total Recall. Directed by Paul Verhoeven, the film spent years in turnaround until Arnold Schwarzenegger was attached and got the thing made. It’s the story of a common construction worker who dreams of life on Mars. When he learns of a procedure that can implant memories of being on Mars, things get a little complicated.
Rob St. Mary and Jedidiah Ayres join Mike to discuss the complicated road which Total Recall took to get to the silver screen. Screenwriter Gary Goldman reveals how he helped shape the film to make it the success it ultimately became.
Episode 417: Emperor of the North Pole (1973)
Based loosely on the writings of Jack London and Leon Ray Livingston, Robert Aldrich’s Emperor of the North Pole (1973) tells the story of two hobos in the American Northwest during the depression — A Number One (Lee Marvin) and Cigaret (Keith Carradine). The two have a very uneasy relationship with one another and a completely antagonistic relationship with Shack (Ernest Borgnine), a railwayman who doesn’t want any freeloaders on his train.
Special Report: Taking Tiger Mountain Revisited (2019)
On this special episode of The Projection Booth we’re looking at the 2019 film Taking Tiger Mountain Revisited. It’s an update of the 1983 film Taking Tiger Mountain which stars a young Bill Paxton as Billy Hampton, a man who’s been brainwashed and sent to a patriarchal country by a group of militant females in order to assassinate its leader and stop the widespread human traffic in which the leader indulges.
Special Report: McBeardo’s Teen Movie Hell
Mike “McBeardo” McPadden has done it again; trawling through the sludge of a film subgenre to find the commonalities while holding up both the gems and the most execrable examples of teen flicks in his latest book, Teen Movie Hell.
Episode 415: The Mad Max Series
On this epic episode of The Projection Booth, we remember the road warrior, the man we called Mad Max. In the roar of an engine, he lost everything and became a shell of a man, a burnt-out desolate man, a man haunted by the demons of his past, a man who wandered out into the wasteland. And it was here, in this blighted place, that he learned to live again.
Ben Buckingham and Mike Thompson join Mike White to discuss the ever-shifting landscape of George Miller’s Mad Max series from its audacious beginning as a bikie exploitation / revenge Mad Max (1979) to the post-apocalyptic Western Mad Max 2: The Road Warrior (1981) to the troublesome Mad Max Beyond Thunderdome (1985) and concluding (?) with the spectacular Mad Max: Fury Road (2015).
Interviews feature actors from three of the four films — Roger Ward, Vernon Wells, Virginia Hey, Bruce Spence, Hugh Keays-Byrne — as well as author Luke Buckmaster, author of Miller and Max.
Episode 416: Daughters of Darkness (1971)
It seemed a fairly ordinary night when Stefan and his wife Valerie, two young, normal, healthy kids on their honeymoon. They stop in Belgium on their alleged way to England where they check into a nearly abandoned hotel. There they encounter the mysterious Countess Bathory and her assistant Ilona. From there, some strange things start to happen in Harry Kumel’s Daughters of Darkness (1971).
Special Report: Other Side of the Wind Redux
On this special episode of The Projection Booth we’re looking at Orson Welles’s The Other Side of the Wind again. Way back in May 2015, four years ago, it was still something of a dream that this film would ever get completed and shown to the world. There were rumors but there had been rumors before.
Ken Stanley and Rob St. Mary join Mike to discuss Orson Welles’s latest film along with special guests Bob Murawski, Josh Karp, and Joseph McBride.
Episode 414: Outland (1981)
Peter Hyams’s Outland (1981) plays like a Western in space with Sean Connery as Marshall W.T. O’Neil, the head lawman at a rough and tumble mining colony where a mysterious series of deaths puts him at odds with the powers that be.
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