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On this special episode we’re looking at Clive Barker’s Nightbreed. It’s the story of Aaron Boone (Criag Sheffer). He dreams of a place called Midian, an underground world of monsters. His psychiatrist, Doctor Decker (David Cronenberg) also wants to go there but to destroy all the monster life. Tim Luz and Samm Deighan join Mike to look at the various cuts of the film and its storied history.

We kick off Shocktober 2020 with a look at Tobe Hooper’s 1982 film Poltergeist. It’s the story of a suburban family beset by supernatural forces. Vincenzo Natali and Christine Makepeace join Mike to discuss hauntings, the pedigree of the film, the sequels, and 2015 remake.

On this special episode of The Projection Booth we’re looking at the 2019 film from director Orçun Behram, The Antenna (2019). The film stars Ihsan Önal as Mehnet, a overseer of an apartment building in Turkey. We begin the film on the day when a new satellite dish is being installed that is part of a new era for the country where the government can now broadcast directly to its citizens’ televisions. Let’s just say that this isn’t the utopia that was promised. Mark Begley and David Rodgers join Mike to talk about this film which plays in select theaters starting October 2, 2020 and digital platforms starting October 20, 2020.

We conclude Czechtember 2020 with a look at Vera Chytilova’s Fruit of Paradise. This may be the most experimental and unusual movies we’ve covered as part of Czechtember. It’s a re-telling of the Adam and Eve story directed by Chytilova and co-written by her and Ester Krumbachova. Kat Ellinger and Samm Deighan join Mike to discuss this experimental narrative and squeeze oranges.

We continue #Czechtember 2020 with the 1969 Slovakian film Birds, Orphans, and Fools by Juro Jakubisco. It’s a story of three young people in the turbulent year and place of 1968 Slovakia. There are birds, the characters are orphans, and they often play the fool as we experience a slice of their lives. Kat Ellinger and Jonathan Owen join Mike to discuss the film, Jakubisco’s other work, and his fellow Slovakian filmmakers.

On this special episode of The Projection Booth, Mike talks to Helena Trestíková (aided by the film’s rep, Daniel Vadocký) — half of the directing team behind the 2019 documentary Forman Vs. Forman — about her life in occupied Czechoslovakia, her 45 year career as a documentary filmmaker, and the importance of Milos Forman.

#Czechember2020 continues with a look at Juraj Herz’s Morgiana. Released in 1972 the film stars Iva Janzurova as both Victoria and Clara Tragen, two sisters who are driven apart by their father’s will and the jealousy of Clara by Victoria. We’ve talked about Herz in the past including his incredible film The Cremator. And, for as subversive as that film was, it was Morgiana that got him into more trouble. Bill Buckingham and Kat Ellinger join Mike to discuss this wonderfully gothic horror film.

On this special episode of The Projection Booth we’re looking at Park Chan-wook’s Oldboy (2003). Based loosely on the manga by Garon Tsuchiya and Nobuaki Minegishi, the film tells the tale of Oh-Dae-Su (Choi Min-sik), a salaryman who gets abducted and held in a cell for 15 years. Just as he’s abducted without explanation he’s freed just the same. From there the film becomes a mystery where Oh-Dae-Su tries to find not just who abducted him but why. John Atom and Bill Ackerman join Mike to discuss the original manga, the 2006 Indian remake Zinda, the 2013 Spike Lee version, and the Brian DePalma film Obsession (1976).

We continue Czechtember 2020 with a look at Jindrich Polak’s Tomorrow I Will Wake Up and Scald Myself with Tea (1977). From a script co-written by Milos Macourek, the film stars Petr Kostka as both Jan and Karel Bures, twin brothers, one of who has helped invent a rocket that allows people to travel through time. A group plans to rent out a rocket just for them and, rather than going back to do a little sport hunting in the time of the dinosaurs like Ray Bradbury’s A Sound of Thunder, they want to go back to 1944 and speak to one Adolf Hitler… Jim Donahue and Noel Thingvall join Mike to discuss the film while Jonathan Owen speaks about the strange history of the film’s screening on the BBC.

We’re doing something a little different for Czechtember 2020 with two commentary track episodes. First up, a discussion of Vojtech Jasný’s All My Good Countrymen (1969), a tragic tale of a group of friends in post-WWII Czechoslovakia. Spencer Parsons and Chris Stachiw join Mike to discuss Jasny’s lyrical film which was banned by Czech authorities. We also talk about the unofficial “remake”, The Moravian Land (1978) and the sequel, Return to Paradise Lost (1999).