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On this special episode of The Projection Booth, Mike talks to Jeffrey Combs about his one man play Nevermore, an evening with Edgar Allan Poe. Mr. Combs will be performing the play at the Sleepy Hollow Film Festival on Saturday October 12 2019. Find out more at sleepyhollowfilmfest.com

Released in 1979, Bill Norton’s More American Graffiti reunites most of the original cast of George Lucas’s 1973 film save for Richard Dreyfus. Rather than looking at a single night, the film spans four New Years Eves across the lives of five main characters.

We’re kicking off Czechtember 2019 with a look at Jan Schmidt’s End of August at the Ozone Hotel. Released in 1967 the film is another in a collaboration between Schmidt and screenwriter Pavel Juracek who we discussed on our Case for a Rookie Hangman episode. Juracek wrote the screenplay which has a group of women trying to survive in the post nuclear apocalypse. The film moves at a slow but determined pace and should not be viewed if you’re sensitive to animal cruelty.</description>

On this special episode of The Projection Booth, Mike talks to Randall Lobb the co-director of Power of Grayskull: The Definitive History of He-Man and the Masters of the Universe. Lobb has already directed a documentary on the Teenage Mutant Ninja Turtles and is working on a Conan documentary, A Riddle of Steel. Learn more at fauxpop.com.

Released in 2008, Tarsem Singh’s The Fall is a very loose remake of the 1981 Bulgarian film Yo Ho Ho. The film stars Lee Pace as Roy, a stunt man who’s had an accident that has left him paralyzed from the waist down. While at the hospital he befriends a little girl named Alexandria who’s played by Catinca Untaru. The film goes between the two of them at the hospital and a wild world of imagination crafted by the pair as a way to keep their minds off their boredom and pain.

Based loosely on Quentin Tarantino and Roger Avary’s Pulp Fiction, Plump Fiction (1997) stars Paul Dinello and Tommy Davidson as a salt and pepper hit man team. Dinello has been asked by his boss to take out the boss’s wife, Mimi Hungry — played by Julie Brown — to show her a good time.

Dan Martin and Jennifer Handorf join Mike to discuss a quartet of films made between 1998 and 2001; Caught in the Eye of the Storm, Revelation, Tribulation, and Judgement. They tell a sprawling tale of the biblical End Times from the Rapture to the rise of the AntiChrist. There’s also some Virtual Reality and Mr. T thrown in for good measure.

Based on a book by Richard C. O’Brien, Don Bluth’s Secret of NIMH (1982) is the animated tale of Mrs. Brisby, the widow with several children, one of whom is very sick and can not be moved. This is a problem as the Brisby family needs to move due to the impending plowing of their home.

Released in 1972, Andrei Tarkovsky’s Solaris is the second of three adaptations of Stanislav Lem’s 1961 book of the same name. The film tells the tale of Kris Kelvin (Donatas Banionis) who travels to a station orbiting the planet Solaris, a sentient ocean that seems to be able to read the unconscious thoughts of those on the station and conjure up living embodiments of someone from the astronauts’ past, with varying results.

Keith Gordon and Rob St. Mary return to The Projection Booth to discuss the Tarkovsky film, the 1968 TV movie, and the Steven Soderbergh adaptation.

Ron Howard’s Solo: A Star Wars Story (2018) is the origin story of Han Solo (Alden Ehrenreich) when he was a little scamp on Corellia and all the things that put him on the path to be the Han Solo we all loved… before he was horrifically murdered by his own son.

Chris Bricklemyer and Josh Stewart join Mike to discuss the oft-maligned and troubled Star Wars film. VFX Supervisor and Co-Producer Rob Bredow talks about his book Making Solo: A Star Wars Story.

This episode uses clips from MauLer’s Solo “review”.